Speaking of stormy weather - recently, in my hometown of Manchester, NH (Southside REPRESENT) , we experienced some major floodwaters. It was nuts - Hectic farm animals everywhere...I must have seen at least 45 cows engaged in what appeared to be a strange game of Twister in a nearby Swamp field. Anyway, being the moron that I am, I defied all weathermen state-wide (damn yooz!) and took a journey down to a nearby troubled river and snapped some crAzy pics.
So, I was looking at this photo of horrendous flooding and I though, Hey - let's make it even more horrendous!! SWEET!
OK, here we go! Now is a great time to grab a few beers and set your Victoria's Secret catalog aside. Don't forget the page you were on as it may or may not come into play later. Most likely not. OK...download that low-quality image above and lets get to work!!
To start off, I selected the top half of the sky and copy/pasted it onto a new layer. After that, I adjusted the Shadows/Highlights to darken up the mood a bit. After that, I used my buddy "google" (Seriously - TRY these guys. They're gonna be huge.) and did an image search for stormy clouds. I actually have a bunch of my own in a personal arsenal, but for the means of this tutorial, we'll use all fully accessible items. I then pasted the stormy clouds over the top of my scene, adjusted the values to a more purple tone and blended in the bottom half.
Next up, add more clouds! I went a little darker on the lower set of clouds. When all was set in place, I made a new layer (COLOR layer mode) and painted red everywhere I wanted it.
And here comes the fun part! Using everyday items, we're going to create our spaceship in the clouds! Mine was actually made from the front of a corvette (top) and the bottom part was made from a canon camera lens! We'll call that the beam-emitter. Because damn, all aliens have huge beams.
After the ship placement, I added some moody borders to the photo using multiply/overlay layers and brushed in a bit more red.
Spaceship is in, now lets add a little light underneath the edge of it. Next, add a little dark shadowing around it with your linear burn layer mode. Use red. Also, I adjusted the shadow/highlights on the ship to give it a darker tone, and burned some of the ships edges for depth.
Next up - A little mood lighting! I used a photo of the Capitol Building and completely darkened out any of the negative shading values (see below). I then overlayed the lights onto the ships base (using linear dodge), and added a little extra to the top where the top meets the clouds.
Hey now! Let's add some BEAMS. take your brush tool and hold SHIFT to make a straight vertical line. Use a very light pink. Now, set the layer mode to linear dodge. You can see the outcome below. Lastly, copy the darkened clouds from the horizon line and add them around the entry point of the spaceship and the sky. This will give some MOOD.
Same technique, but this time use a darker red and overlay it on the other, thinner beam.
OK, it's time to get this thing rolling. We need a darker, more stormy atmosphere. This spaceship needs to be mean, so lets darken the sky, add some contrast to the clouds and darken the water by adding purple softlight and red overlay to the water base.
Darker! apply a multiply layer of the clouds over itself to give that sky some strength over the ship. burn underneath the ship as well so the cloud consistency carries through the horizon. Also, start applying more light rays from underneath the ship using the overlay layer mode. I used yellow to keep it fairly subtle.
OK you may have noticed in the last photo I started adding an "electric" look to the BEAM OF DEATH™. This can be done through tiny lines treaks (done in orange or yellow) overlaying the thicker light coming from the base of the ship. I added some more lightning to the sides of the ship as well....
A little more lightning, and some rings outside the ship. this was done using the brush tool and applying the layer mode as "linear dodge" over the other clouds.
Add a little more light/shadow toning in the clouds. Next, again using linear dodge and a darker orange, overlay a large brush to the bottom of the beam to add some glow to the tree region. I added another thinner and stronger layer at the tree/beam meeting point to create an explosion effect.
Now let's bring in another cloud photo. Adjust the Variations on the clouds to bring in the red tone we want. Next, adjust the levels to emphasize the shadows (bring in the left triangle towards the center). Set the layer mode to Hard light.
Almost done! Add a bit more ligtning to the sky and add more shadow burning to the water a edges of the photo. Shoot for this:
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